Conceptual Explorations

Conceptual Explorations: Hyperstition

Photo of a Reservoir outside Little Hall Wood.

Of all of the concepts that came out of Ccru, “hyperstition” is perhaps the one that interests me most. It is perhaps best captured in the following quote: “We are interested in fiction only insofar as it is simultaneously hyperstition – a term we have coined for semiotic productions that make themselves real – cryptic communications from the Old Ones, signalling return: shleth hud dopesh.” Hyperstitions are temporal heresies, blasphemies against metaphysics, that either invert causality or grant agency to the inhuman, or both, depending on one’s interpretation. The idea of a cultural fragment that is able to be self-positing does not normally exist within our frame of reference which relies on the belief in an “author” who will write the story, drawing on some collective cultural language or recognizable set of experiences from our shared past.

The idea of a hyperstition upends this and is perhaps best explained with an example. The story of human refugees fleeing a dying planet earth and colonizing a new world is well established in our collective cultural imaginary. From books like Kim Stanley Robinson’s Red Mars to films like Christopher Nolan’s Interstellar, the idea that some catastrophe might befall the earth and consequently that we might have to make a new world for ourselves by colonizing and perhaps even terraforming some other planet, is very popular indeed. Perhaps less common is the image of the alien race that flees their own planet and tries to transform Earth (or the population of it) so that it might more closely resemble their home-world.

The trope has existed in different ways in the history of science fiction and can be seen in Thomas M. Disch The Genocides (1965), Raccoona Sheldon’s The Screwfly Solution (1977), and Ian McDonald’s Chaga (1995). It is also becoming increasingly popular in film. In the 1996 film The Arrival, the protagonist discovers alien underground bases disguised as power plants which are terraforming the planet. In the 2013 film Man of Steel, the same central thematic plays out. Aliens arrive from a distant galaxy and begin to attempt to xenoform the Earth, this time using an enormous “World Engine” that spews clouds of dust and gas. In the 2018 film Annihilation an zone of disjuncture called “The Shimmer”, is created around a crashed alien ship, which rewrites DNA and distorts the world around it in frightening ways that produce transmogrified flora and fauna. These stories may well be appearing at an increasing rate signalling that at some future point they may make the transition from fiction into reality and appear on the pages of our newspapers, once some critical point of density is reached.

The question raised by hyperstition is simply “Who is telling this story of the colonization of the earth?” Our common sense answer would say that it is a wide variety of human actors entangled in particularly identities, relations of power, and discourses that make certain stories sayable, intelligible, and thinkable. However, could it be that these stories are telling themselves, that they are possessed of certain libidinal energies that are capable of using the human subject as a vector in order to actualize themselves? Or, could it be that certain entities or events are of such significance that they have effects that travel back from the future through what we perceive as time, creating effects in the form of fragments of storying that serve to facilitate the bringing of these events or entities into existence?

This is the core of the notion of hyperstition, what is either a new theory of time or is an account of possession as “The Old Ones” seek to shape human affairs, all of which connects to Land’s vision of Capital as an alien intelligence or AI from the future that is acting through time in order to make itself real. He ends the essay Circuitries by asking provocatively:

How would it feel to be smuggled back out of the future in order to subvert its antecedent conditions? To be a cyberguerrilla, hidden in human camouflage so advanced that even one ‘s software was part of the disguise? Exactly like this?

Theorized in this way, we ask what cultural fragments are being effected back out of the future by some event, say the final emergence of the planetary technocapital singularity that replaces the human, or the death of the last human in the anthropocene? 

Indeed, in light of the most recent IPCC report one might ask how could the anthropocene make sense other than as a concerted attempt to xenoform the planet Earth by or for some other form of life-to-come? It is patently absurd to think that world leaders, organisational stakeholders, and a civilised global populous, would simply resign themselves to do nothing in the face of global ecological collapse. Instead, it makes far more sense that the Earth is being prepared for some other form of like which needs higher and warmer oceans, burned forests, and mass extinction of existing wildlife, in order to arrive and thrive with its own forms of life. If it is Capital and not some other form of alien intelligence that requires this new form of life in order to continue to expand proliferate and grow as it always has – humans having reached their full potential of usefulness to it – then it is necessary for us to acknowledge this coming obsolescence and to see the anthropocene as the mechanism by which simultaneously preparations are made for something new and useful and a process by which the irrelevant detritus of human existence is disposed. Capital may simply no longer require the intelligence and affects of bipedal primates and is preparing for what form of life will next advance it. Why else would we be creating a toxic lake of black sludge filled with run-off from the processing of rare earth metals, growing underwater DDT dumps, or generating many areas rife with nuclear radiation, other than to support something to come which would need such places in order to live?

In the final analysis, the anthropocene represents the hyperstition of the xenoformed earth attempting to make itself real.

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Conceptual Explorations

Conceptual Explorations: The death drive

IMG_3757[1].JPGI’ve spent much time recently thinking about the “death instinct”. It appears in a number of different forms and for a number of different purposes throughout Deleuze’s  corpus and his work with Guattari. While I am still cataloguing all of these, I wanted to highlight the following two quotations:

“The full body without organs is the unproductive, the sterile, the unengendered, the unconsumable. Antonin Artaud discovered this one day, finding himself with no shape or form whatsoever, right there where he was at that moment. The death instinct: that is its name, and death is not without a model. For desire desires death also, because the full body of death is its motor, just as it desires life, because the organs of life are the working machine.” (Anti- Oedipus, p.8.)

“The sadism which is today everywhere springs from a desire for nothingness which is established deep within man, especially in the mass of men-a sort of amorous, almost irresistible and unanimous impatience for death.” (Logic of Sense p.326- note that Deleuze is here quoting novelist Louis-Ferdinand Céline)

What can be gleaned from these two quotes? I would suggest that for Deleuze, the rejection of Freud extends only as far as Oedipus and that the death instinct or drive advanced in Beyond the Pleasure Principle is of interest. While it is no means consistently thus, Deleuze (and Guattari) seems to regard the desire for disorganization, for nothingness, for the breaking off of social codes, as a form of death drive. The destructive desire for annihilation, for nothingness and the freedom from “the social” that would accompany it.

I have recently been thinking about this in relation to a famous quote from Frederick Jameson,

“Someone once said that it is easier to imagine the end of the world than to imagine the end of capitalism. We can now revise that and witness the attempt to imagine capitalism by way of imagining the end of the world.”

Though it may not have been precisely what Jameson meant, the rank excesses of contemporary capitalism and the prevailing culture of what I can only term Corporate Social Irresponsibility. A corporate world where excessive Carbon Emissions (and cheating emissions tests),  animal testing, pollution, deforestation, fraud and deception (e.g. Enron, Worldcom), failing to pay workers a living wage, marketing products harmful to users, use of child labour, gender pay gaps and discrimination against women (re: glass ceilings, “motherhood penalties” etc.), discrimination against BME, LGBTQ+, the disabled and the elderly , cultivating climates of unnecessary stress, anxiety, burnout and “presenteeism” in organization, Union busting and denial of workers’ rights, making light of workplace deaths, deaths from overwork, war profiteering and the military industrial complex, insider trading and other morally dubious investing practices, attacks on Human Rights activists, punishing whistleblowers, enabling gross wealth inequality etc. etc.;  where all of this can be considered a norm can only be said to be irresponsible if not more aptly described as manifestly immoral. It is a corporate world that seems to be actively seeking out an end to capitalism by means of an end of the world; a system so unsustainable as to be inevitably stamped with an expiration date.

And yet, the popular press and corporate websites often bear out how good and ethical the contemporary corporation is. Students in contemporary Business Schools will frequently hold the idea that business ethics are important, that firms should be devoting resources to socially responsible projects and will celebrate “ethical businesses/leaders” in presentations and essays but will also seem to ignore this reality of corporate immorality. I’ve been thinking a lot recently about cases like Volkswagen which seem to indicate a fundamental paradox in our perception of the contemporary corporation, one that speaks to the existence of two seemingly mutually contradictory realities.

On the one hand, the contemporary corporation is destroying or complicit in the destruction of the planet and on the other, it is trying to save it. I debated with myself for some time about whether these represented contradictory positions at all; whether it was possible to for the corporation, in its plurality, heterogeneity and non-uniformity to have some of its members trying to destroy the corporation while others tried to save it. However, I reasoned that this was perhaps the core of the problem, that insofar as the corporation can be thought of as a person, its personality seems split between trying to save the planet (through socially responsible initiatives) and trying to profit maximize in ways that actively make life worse for its inhabitants (in gross shows of corporate social irresponsibility).

What I would suggest is that this paradox, this “divided-self”, is a reflection of the death drive. The corporate person, eager for death and disorganization, deludes itself  into believing that its actions are saving the planet in order to intentionally blind itself to the ways in which it is destroying it. That is to say, we represent social responsibility in order to distract ourselves from the sordid realities of corporate social irresponsibility. We do this because we secretly want irresponsible behaviour, because a profound eschatological instinct compels us towards the end, towards disorganization and nothingness. We do it because desire desires death also. Perhaps we are simply curious as to what an end to capitalism would look like. Regardless, since the most immoral actors are always the ones who have convinced themselves that they are acting morally, this strategy of self-deception towards death is certainly effective.

In his 1992 text, Pandemonium: Towards a Retro Organization Theory Gibson Burrell says the following: “our own total destruction is what humanity actually desires, rather than fears. It has become our goal. So endism is rampant.” (p.49). I could not agree more, but I have some more work to do on the death drive before I can fully articulate why.

 

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Conceptual Explorations, Reflections

Love and Patricia Dunker

Some novels stay with you. Perhaps because they capture your imagination as a child. Perhaps you recognize something of yourself in them (your struggles, identities, insecurities etc.). Perhaps they speak to you at a particular moment in your life when you are receptive to their message. Whatever the reason, reading Patricia Dunker’s Hallucinating Foucault recently struck me so to the core that I openly wept and experienced that peculiar sensation of loneliness and fulfilment that one gets when one finishes a good novel but is unable to share the experience with anyone else.

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The story of a young PhD student who goes in search of the institutionalized author about whom he has been writing his thesis, Dunker’s novel is a seminal exploration of the love that flows between a reader and a writer. While I have myself written about this relationship before, it was regarding the ways in which the assumptions of who the reader is construct the author(ity) of the author in an attempt to deconstruct precisely this and suspend the subjectivity of both author and reader as unknowable and ineffable constructions that should rightly be undermined in order to think otherwise, nothing in my work could match the poetics and passion of the reader/writer relationship in Dunker’s text.

What struck me the most were the ever so poignant moments that emerge when the protagonist finally meets his author, Paul Michel. In some ways he dreams himself Paul Michel’s reader (and says as much) in other ways he has always been writing for Paul Michel to read without knowing him. The novel centres on their relationship and the complex of feeling that this relationship is inflected with given that Paul Michel’s reader- the one for whom he writes- is Michel Foucault. Dunker captures this masterfully:

“The love between writer and a reader is never celebrated. It can never be proved to exist. But he was the man I loved most. He was the reader for whom I wrote.”

Other moments like the pointed “you have to love the one who you write about”- which recalled for me something that Deleuze said in a 1969 interview with Jeanette Colombel,“if you don’t admire something, if you don’t love it, you have no reason to write a word about it.” (Desert Islands, p.144)- made me feel something ineffable but sad, a kind of hollowness that compelled me to consider more carefully my own relationship to reader/writer.

Recently, I’ve been reflecting increasingly on the fact that my life has become a love affair with a group of dead, white, European philosophers. Our interactions are only ever correspondence, they write texts which my heart believes are for me, and I respond, often overcoming some disciplinary irrespons-ability in order to do so, in short essays; love letters to the deceased; messages in bottles thrown irresponsibly into the sea. While it may be a pretentious or pompous confession, it is this perverse experience with Dunker captures beautifully:

“Well — there are two kinds of loneliness, aren’t there? There’s the loneliness of absolute solitude […] But there is another kind of loneliness which is terrible to endure […] And that is the loneliness of seeing a different world from that of the people around you. Their lives remain remote from yours. You can see the gulf and they can’t. You live among them. They walk on earth. You walk on glass. They reassure themselves with conformity, with carefully constructed resemblances. You are masked, aware of your absolute difference.”

To some this may seem a trite exaggeration, at worst a reprehensible blindness to the internal complexity and nuance of one’s fellow man (i.e., those living with to you) and at best an anti-humanist sentiment from an arrogant pseudo-intellectual, at once convinced that he is smarter than everyone else and seduced by the romanticized imagery of the tortured genius/auteur. To me, however, this rings true on many days; the love of the one for whom your write and the assumption that they understand and the experience of having your loneliness abated by that understanding. Perhaps it is a rank over-poeticization and dramatization of what I do, in many ways my work can be understood as the careful practice of writing sincere and open-hearted love letters to someone who will never respond; to someone who is dead and cannot respond and therefore cannot requite my love.

In one sense this is perhaps the shallowest form of love, one that is attached to an “idealized” version of the lover, in this case actively written by the author but in another, it is perhaps the most sincere and open form of love. An author has no secrets from a reader, labours daily for their pleasure, sacrifices for their happiness, develops and builds them through these efforts, works with them in the most intimate relationship of understanding, mutual concern and self-discovery. I am not sure how much of this I actually believe in terms of my critique of subjectivity and its ability to hamper our creativity and act as a scupper to original thought. However, I do know that I feel wounded by quotes like the following, passed by Dunker between an author and his reader:

“My greatest fear is that one day, unexpectedly, suddenly, I will lose you […] You have never asked me who I have loved most. You know already and that is why you have never asked. I have always loved you.”

The spectre of the reader who could have been looms large. For me Dunker’s text is the most passionate and maniac exploration of the interlaced love between reader and author. The author constructs and creates the reader as an image of the one who he loves the most. Love is here not a blind devotion or a corporeal lusting, but rather it is argument, impassioned frustration and repartee; it is courtship and kindness, a stolen memory from a message in a bottle and a dream of something more that will never have been. Here we encounter perhaps my greatest critique of Dunker’s novel: that our perception of love is so implicated in the corporeal, the physical, and the embodied; in short, in fucking; that it was impossible for the novel not to succumb to the reduction of love to these coordinates as the protagonist and Paul Michel have sex near the end of the novel.

Despite this minor concern over the nature of the “consummation” of a love, I cannot speak highly enough of Dunker’s novel, nor can I more strongly recommend reflecting upon the love for the one(s) about whom and for whom you write.

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Conceptual Explorations

On “microfascism”

In a short 1976 essay titled The Rich Jew on the subject of antisemitism in film Deleuze says the following:

“Oldstyle fascism, however real and powerful it may still be in many countries, is not the real problem facing us today. New fascisms are being born. The old-style fascism looks almost quaint […] compared to the new fascism being prepared for us. All our petty fears will be organized in concert, all our petty anxieties will be harnessed to make micro-fascists of us; we will be called upon to stifle every little thing, every suspicious face, every dissonant voice, in our streets, in our neighborhoods, in our local theaters.” (Deleuze, 2006: 137)

Deleuze is here writing in critique of the banning of the film L’Ombre des anges by Daniel Schmidt’s, and is arguing that the fascism to be feared is not that of the Nazi party, but that which leads us to suppress images of their violence.

What interests me in particular is the notion of the microfascist inside us all. For some time now I’ve been interested in a question on the order of “Why are people often observed to act against their own interests?” because our popular culture seems so replete with examples of this occurring. This concept of microfascism seems to speak, from Deleuze and Guattari’s shared and independent corpuses, to precisely this concern, describing not only a lust for power and domination and a need for rule-following behaviours and general conformity, but a desire that others should also lust after power, want to be dominated, love the rules that confine them, aid in the quashing of non-conformity.

The most salient example that I’ve been able to think of is that we get angry at someone for standing on the wrong side of a London-underground escalator, even if they’re not in our way, we experience a peculiar vitriol because this person has broken the rules.

I’ve been working on a paper that connects this to the notion of the “management guru” within organization studies. What interests me in particular about this genre of writing, which I hope to develop in the paper, is the ways in which the guru’s ability to cultivate and ameliorate anxiety, particularly as they bridge the gap from “management theorist” to “self-help literature or life coach” makes overt plays within and upon the microfascist impulse. Theoretically, the management guru also presents an interesting insight into how far the microfascist impulse can extend, as many- though not all- of these guru’s disguise their pronouncement and advice within a certain rhetoric or discourse of choice, agency, freedom and self-discovery/mastery. That is to say, beyond what I think Deleuze and Guattari think to say, microfascism can come to be disguised as freedom- the freedom to ban a film, to conform, or to follow the rules as a serf.

I’ll keep trying to develop this.

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Conceptual Explorations, Papers and Ongoing Research

Research Ethics: An Old Essay

I’ve been asked to give a lecture on Research Ethics in a couple of weeks time and, as such, have been reviewing some of my old material on the matter. I came across the following essay and enjoyed reading it enough that I decided to post it here. I am aware that it is not without shortcomings (limited reading being prime among them) and that is largely reflective of the particular moment within my doctoral work which produced it, but I thought that its playfulness, its creativity and the references that it highlights were worth a second consideration.

 

Cultivating a Deleuzian Ethics of Ethnography: A Polemic

At no other point could we have suggested a Deleuzian ethics. Even now it seems impossible; teetering on the edge of absurdity. To suggest, therefore, a Deleuzian ethics within the context of an ethnography of the shopping centre is to make a move, both in terms of theory and practice, which plunges all of the multiple discourses at play in this field into utter disarray. This is to reach a limit and start writing nonsense or, more accurately, to begin to cultivate a mode of engagement and inscription that is preoccupied with the sensible and the immanent through both its nature and content. It is to revisit the question of ethics entirely, melding and scrutinizing theory and practice, in an attempt to understand how the discourse of ethics in ethnography has reached this particular point, an exploration that falls just shy of genealogy. In sum, this polemic will begin to trace the initial moves (and only these) of the horticulturist who seeks to develop an ethnography- one that is necessarily not homogeneous with such a descriptor- in conjunction with a reading of the works of Gilles Deleuze. Through taking risks and making disjunctures at points, through examining current anthropological literature which relates to the focused frame of “engagement and ethics”, we shall attempt the cultivation of a Deleuzian ethics of ethnography.

Adam…

Adam was the first ethnographer. He is placed into the Garden with no assumptions or presuppositions and he begins to name his research subjects, the others, the anonymos; indoctrinating them into his language while learning theirs and studying the ways in which these others relate to one another. He names them, even though he knows that they may have their own names; that they may have already named themselves and each other. He does so without morality because he has not yet eaten of the tree of knowledge of good and evil. However, he still has an understanding of how to engage with and relate to the others in the garden. One might say that this understanding comes from the fact that he labours under the tyranny and in fear of an omnipresent and absolute Other, which is why he does not partake of the fruit of the tree. For Deleuze, this is indeed the case, but mistakenly so. Adam does not eat because he believes that god prohibits it. He is mistaken because he cannot understand that god has merely revealed the natural consequence of eating of the fruit of the tree: an adverse reaction between bodies; poisoning. Though he does not know it, Adam acts based on his sense of the interrelations of bodies; his comprehension of conjunctions and disjunctions. He is, for the moment, beyond good and evil. His ethics are immanent.

An exercise in ‘box-ticking’…

Immanent ethics are, however, unfortunately far removed from current discussions of ethics in anthropology. What can and should be termed the ‘administrative approach’ to ethics is what presently forms common parlance; the everyday reality of ethics as far as social scientific research is concerned. The complexity of the myriad problems concerning how one is to relate, regard and engage with others in the world has, of late, been reduced to an exercise in box-ticking in order to facilitate committee approval. “Does the research involve any of the following? Please tick where applicable.” “Provide a summary of the design and methodology of the project, including the methods of data collection and the methods of data analysis.” This is what Michael Agar (1980) would describe as ‘the bureaucratization of ethics’; a result of escalating fears regarding the treatment of ‘human subjects’ within a research context. While it might appear that ethical approval procedures have evolved from the time when Agar wrote his text, or indeed, from when authors like Wax (1977) critiqued similar approaches to ethics that governed research in the social sciences, closer examination of the works of more current authors, like van den Hoonaarud (2001, 2003), reveals the articulation of similar discontent with current systems. In sum, what these writers argue is that, though a degree of bureaucratic oversight might prove necessary, these approaches reduce ethics to a series of steps necessary, in the first place, for the maintenance of a minimal standard that will shield both the researcher and their institution from the perils of legal inquest and, secondly, to patronizingly guarantee the informed consent, confidentiality and the security of any ‘human subjects’ under study.

It is possible to understand these bureaucratic measures as emerging based on a broadly natural-scientific model of research; one where methods are more rigidly defined and adhered to, where the interactions between researcher and ‘subject’ are much more controlled and where power relations are better established (even entrenched). Indeed, most accounts of the historical emergence of “research ethics” (see, for example Hesse-Biber and Leavy, 2011) begin with the Nuremberg Code and a recounting of the medical experimentation that preceded it. As such, it is not difficult to see these procedures as an external code of practice which has been imposed upon the social sciences despite the fact that the specificity of such codes does not lend itself to the ‘inexactness’ of qualitative research methods in general and the emergent nature of ethnographic fieldwork in particular.  Were it not for infamous social scientific research like Zimbardo’s (1973) ‘Stanford Prison Experiment’ or Humphrey’s (1970) Tearoom Trade, it would be possible to argue that the social sciences have no need for such ethics of committees and procedures. We do not here place blame, but merely point out that, regardless of  whether the methods employed in these ‘experiments’ were necessary or not, they undoubtedly catalysed the emergence of the prescriptive and restrictive ethical procedures which now govern (read: mediate) engagements with ‘human subjects’, supposedly for the protection of vulnerable subjects and researchers alike. As such, while more systemic and social origins can be isolated- van den Hoonaarud (2000), for example, posits the emergence of a kind of ‘moral panic’, a by-product of modernity which exaggerates perceptions of harm and results in disproportionate regulation- this administrative approach to ethics is clearly one that the social sciences, and we as social scientific researchers, are complicit in constructing.

Still, the scope of the administration of ethics cannot but be shocking and yet, writing based on his time spent on a Canadian Research Ethics Board, Haggerty (2004) not only demonstrates that this phenomenon is global and endemic to the entirety of social science but that it is one which is growing. He chronicles a phenomenon that he dubs “ethics creep”, the growth and evolution of bureaucratic procedures and committee oversight for conducting social scientific research, and goes on to argue that this phenomenon is largely detrimental to the overall ethical conduct of the social scientific field, encouraging rule fetishization and the neglect of ‘true’ ethical engagement with others in the field (a point that we shall consider further below). Indeed, though its openness should render it as an exceptional case, the spread of administrative ethics permeates all the way to the field of anthropology, manifesting, for example, on the pages of the ethical guidelines published by professional associations like the Association of Social Anthropologists (ASA). The ASA’s ethical guidelines bear the distinct marks of having been revised to take into consideration certain ethical quandaries and problems with ethical practice that have troubled ethnographers in years past. Yet, like all other such ethical mandates, it functions along the axes of the problem of informed consent, the nature of ‘harm’ and the guarantee of anonymity; each of which we shall consider in further detail because, as can be learned from Murray et al (2012), it is positioning along these three axes that becomes crucial for obtaining ethical approval when conducting social scientific research. By implication, one must not only understand them in order to act ethically but in order to ‘get the box ticked’ and be allowed to carry out one’s ethnographic particular project.

Problematic Axes

On the surface, the premise of informed consent seems fair, necessary and unproblematic. That the subject under research should know and understand the nature of the research endeavour and be asked to acquiesce their participation in it before it begins, seems to be not only a reasonable and ethical mode of conduct but it also seems an effective way to placate any fears of the exploitation of marginal or otherwise vulnerable social groups. Several researchers have, however, called into question the whether informed consent is possible in ethnographic projects, whether the researched can ever truly give an informed and un-coerced ‘yes’.

In her exploration of this particular problematic, for example, O’Connell Davidson (2008) comments on the seeming vacuity or ambiguity of the consent that ethnographers are mandated to secure at the beginning of the fieldwork. Through a retrospective of her relationship with her informant, Desiree, she questions whether saying ‘yes’, acquiescing to the requests of the ethnographer, can really be considered as consent, given that neither the ‘human subject’ under study, nor the researcher knows how their relationship will evolve. To wit, since neither party is aware of how the subject’s life will be portrayed and dissected in the text that results from the fieldwork or, indeed, what aspects of the interaction will be featured in such a text; how can the subject ever meaningfully say ‘yes’. Here the spectre of the natural scientific/medical origins of the practice of securing consent looms large, as these problems are exacerbated if we consider consent as processual, a continually negotiated position (which it is for most ethnographic projects), rather than a singular and one-time ‘yes’, signed on a dotted line. That is, if we consider ethics as something more than an administrative exercise, the entire idea of informed consent becomes fallacious. What is being called into question here is both the ethnographer’s ability to ‘inform’ the ‘human subject’ under research, to tell them what the research is before the fact, as well as the subject’s ability to understand such a description; problems which cannot be so easily dismissed.

Further practical considerations are raised by Haggerty (2004) and others, such as the ability of the ethnographer in the field to secure consent from casual encounters in public spaces. Indeed, if our ethnography is to involve working at the Lost and Found desk in the shopping centre, this particular problem of securing informed consent becomes most troubling. The casual shopper who comes up to the desk to ask for directions, the beleaguered mother-of-three who comes in search of a mislaid diaper-bag, the janitor who stops to say ‘Hello’ during his 3pm rounds of the ground floor- none of these may be presented with a waiver, a statement of ethical intent or interrupted in their conversation by a lengthy explanation of purpose and nature of our particular ethnographic project. To do so is at best, impractical, and at worst, detrimental to the ethnography and its goals. Such encounters are, however, vital; not only for the ethnographer to assimilate himself into the community but for the development of an understanding of the space, in every aspect of the word. Should we shy away from such encounters in fear of some ‘harm’ that we might inadvertently cause or unpragmatically adhere to the doctrine of informed consent?

Equally problematic and fraught with controversy is the question of anonymity and confidentiality; terms which are by no means synonymous but both of which indicate a certain imperative to protect the identities of the ‘human subjects’ under research. Even though it is more likely that the practice of guaranteeing anonymity and confidentiality emerged in order to secure the cooperation of certain reticent research subjects, one can see how such a practice might be necessary to safeguard vulnerable individuals and groups; protecting them from any potential repercussions from their appearance in the ethnographic narrative. It seems clear that this should easily manifest in the usage of pseudonyms, the obfuscation of distinguishing characteristics of people and places and the non-disclosure of information which is deemed to be sensitive. What has been called into question in recent anthropological literature, however, is whether or not these practices offer any meaningful form of protection.

As Arlene Stein (2010) notes in a recounting of her ethnography of ‘Timbertown’, the town’s residents were easily able to discern the identities of the individuals featured in her text The Stranger Next Door, despite her attempts to give them anonymity. Her descriptions and depictions, being necessarily detailed for the construction of an ethnographically-informed narrative, were easily decipherable because of the small size of the community under survey. Among the conclusions of her retrospective, she asserts that it was perhaps the very promise of anonymity- a promise which would not have been made by an investigative journalist pursuing the same line of inquiry- that caused so much ire in the wake of her book’s publication. That is to say, having been promised anonymity, her informants felt that they had been outed, their trust violated by the researcher’s faltering attempt to mask their identities. Stein, therefore, concurs with Nancy Scheper-Hughes who, in writing about a similar situation in which her disguised field-site was unveiled, asserts that the “time-honoured practice of bestowing anonymity on ‘our’ communities and informants fools few and protects no one—save perhaps the anthropologist’s own skin.” (2000, p. 128).

Indeed, we are likely to face a similar problem to Stein and Scheper-Hughes in the shopping centre, which we must assume is populated by a relatively small community of staff. No matter what pseudonym we use or how we disguise our description of the site, the staff of the shopping centre will know that they are the ones being written about and will very likely be able to decode even the most veiled depictions of individual subjects. Do we deny their right to anonymity and hope that they will still speak to us or do we offer only the most transient sham of anonymity in order to satisfy administrators and ethics committees? Or, do we obscure all of an individual’s distinguishing features (including their race, gender, socio-cultural affiliations and position in the organization), ‘protecting’ them at the cost of producing a weak and unpersuasive ethnographic narrative that ignores the importance of positionality? It is regrettably the case that the latter two options are selected far more frequently than the first. It is for this and other reasons that van den Hoonaarud (2003) suggests that, while it may be more easily deployed in quantitative methodologies, true anonymity is an impossibility as far as ethnographic research is concerned. We are inclined to agree, given the potential difficulties to which we have alluded; even if this would seem to render the ‘human subjects’ in our ethnography vulnerable to ‘harm’.

Indeed, the third and final axis, ‘prevention of harm’, the one which the other two exist to serve, is disputable for precisely the reasons which we have been outlining. To return to the ASA’s ethical guidelines, the anthropologist is charged to anticipate and minimize ‘harm’, to mitigate any foreseeable negative consequences to the ethnographic project. This might take the form of reassuring the directors of the shopping centre that no confidential, sensitive or potentially harmful information regarding the organization and its practices would be disclosed; having recourse to a councillor if the project involves the reliving of painful memories in response to an ethnographer’s probing questions (Murray et al, 2012) or, more simply, anonymizing the names of participants who aren’t openly gay to keep from outing them (Stein, 2010). The problem which is highlighted by the examples that we have entertained thus far is that it is the unforeseeable, the unpredictable, that tends to be the most damaging, that causes the most harm. Equally, however, it is this unpredictability that makes ethnography a useful and indispensable methodology. How does one, therefore, proceed without harming the ‘human subjects’?

In his paper on the moral dilemmas of fieldwork, the Ten Lies of Ethnography, Fine (1993) describes the shared delusions that ethnographers present to the world (and to each other), key among them being the lie or myth of “the honest ethnographer”- one who always secures consent, anonymizes his informants and always knows exactly what he is looking for in the field. While we concur, we would also argue that what Fine is unable to postulate is a more endemic cause, a capitulation that encourages the fieldworker to tolerate the now obviously vast disjuncture between the administrative approach to ethics and those that must necessarily exist between the researcher and the ‘subject’. What we suggest is that the problems that emerge with regard to ethics and fieldwork- particularly those which we have catalogued thus far- stem from the transeunt or transcendental approach to ethics that pervades in social science and indeed, in wider society. It is the tree of knowledge (paradoxically comprised of axes) which we have been administered, and by which we are administered (always complicit in its construction), that seems to be the root of these problems. It is when he or she feels that they must labour in the shade and under the gaze of this omnipresent other- the ethical guidelines and contradictions internalized- that the ethnographer feels alienated, uncertain, and indeed, impotent, and so questions (as we are doing) the ethical framework that has been put upon him. To understand the alternatives that are available to researchers, and indeed, to ‘human subjects’ in the course of their everyday lives, we must engage in a closer interrogation of Deleuze’s ethical project.

Encounters…

Encounters between Deleuze and ethnographers are limited and fleeting when they do occur. Perhaps this is because, as Biehl and Locke (2010) so aptly demonstrate with their misappropriation of many of Deleuze’s concepts (most notably ‘desire’ which they mistake for sexual desire via Freud), the onto-epistemological assumptions that simultaneously govern and underpin anthropology, and indeed ethics in anthropology,  are ostensibly incompatible with any philosophical approach that might be termed ‘Deleuzian’. There would appear to be no reconciling the vestiges of the scientific method and progressivism that form a core of anthropological discourse (see Adams 1998); vestiges that result in Biehl and Locke’s attempt to cultivate a ‘Deleuzian anthropology of Becoming’ amounting to little more than an ex post facto imposition of Deleuzian terminology onto a completed ethnographic project. Their engagement with concepts like ‘becoming’ or Deleuze’s understanding of writing cannot disguise their continuous employment of phenomenological metaphors or hide their psychoanalytically informed preoccupations with pathologies and cures; so much so that they act unethically (for a schizoanalyst), botching the becoming-cat of their informant, Catarina.

This seeming irreconcilability does not derail our present endeavour since we maintain that there are ways, becomings, via which a Deleuzian may engage with and in ethnographic practice. This polemic, however, is not and cannot be directed at such a systemic problem. For now it will have to be sufficient for us to draw attention to this conflict and posit, with an attentive ear towards ethics, that the difficulties in developing a Deleuzian approach to ethnographic or anthropological methods stem from the fact that there is no Deleuzian tree of knowledge from which the Adam-ethnographer can pluck the fruit of ethics. Such ethics must emerge inside, in-between and through engagements; growing rhizomatically. Perhaps the most productive attempts at developing a Deleuzian ethics within the context of an ethnographic fieldwork project comes from authors who understand this.

In FoodScapes, a text which addresses itself to developing a ‘Deleuzian ethics of consumption’ through a multi-site ethnography, Rick Dolphijn (2004) demonstrates such an understanding. Much like Smith (2007), Dolphijn picks up on the distinction which Deleuze draws between ‘ethics’ and ‘morality’ in his text on Spinoza– a distinction which is reprehensibly absent from the administrative approach to ethics. Via Spinoza’s Ethics as well as Nietzsche’s Genealogy of Morals, Deleuze understands ‘morality’ as referring to systems of transcendental values or prior judgements, philosophies of ‘good’ and ‘evil’ that pre-exist the event or assume a position of exteriority to the engagements of the encounter. It is such ‘moral philosophies’ that we have alluded to as being the source of discontent within anthropological theory, since it is these, in their totalizing and rigidifying modes, which come to delimit individual action and restrict the varying range of engagements between bodies that may occur during ethnographic fieldwork. Morality is here a mechanism of constraint, control and organization; one which we must understand, through Nietzsche, as the product of specific power relations and practices. To paraphrase Twilight of the Idols, the researcher must set himself beyond this, recognizing such illusions to be beneath him. Indeed, for Deleuze, great moral thinkers like Bentham, Mill and perhaps even Kant were inherently unethical as, in their construction of totalizing and prescriptive moral frameworks, they regulate and restrict the possibility for ethical engagement. Only etiolated ethics can result from such approaches. As such, it would seem apropos to retroactively redub the term ‘administrative ethics’, changing it to ‘administrative morality’- a given morality that the ethnographer bears as a rite de passage, a necessary evil for a greater good, a crutch, an anaesthetic that dulls the thorny feel of the engagement.

The term ‘ethics’, on the other hand, is one which is employed in reference to “a typology of immanent modes of existence” (Deleuze, 1988. p. 23), to a system of understanding (one that borders on a set of rules) that encompasses the constitution of bodies and the way that these are composed and decomposed within the event. For Adam, the fruit of the tree would poison him, decomposing his body; the fruit, by virtue of its very composition, being antagonistic to his nature. He understands this to be a negative form of engagement, ‘bad’ one might say, and shies away from it until he is convinced that the fruit is, in fact, nourishing- a positive engagement between bodies. He acts neither upon the realization that ‘poison’- as we know via the history of medicine and language encapsulated by the etymological roots of the word pharmakon– is contextual and is only a meaningful term within a given assemblage nor upon a transcendental imperative (in fact, the story tells us that he is innocent of these) but on an immanent ethology. It is this that Dolphijn focuses on in FoodScapes, “the compositions of relations or capacities between different things” (Deleuze, 1988. p. 126), the relations, processes, reactions and functions of food that emerge from the different field sites in his study.

The truly ethical question, therefore, is not “What must I do?” or how best can I perpetuate and persist in my subordination to this illusionary transcendence, this imposed moral code of conduct? Rather it is “What can I do?”- what possibilities are available to me as a researcher and to the other subjects within a given assemblage? What becomes in these? Ethics are here facilitative rather than prohibitive. In fact, while one is still surf to morality, still preoccupied by issues of consent and anonymity, of ‘good’ and ‘evil’, we neglect the ethical questions of engagements. Ethics is itself prohibited since transcendence disbars ethical action.

Departing the Arboretum

The question which still haunts us, is whether Adam acted morally in the Garden? Did he consider the potential sources of harm and attempt to mitigate these? When he names the animals, is he actually anonymizing them to protect them from some hitherto unmentioned harm or is he robbing them of their names, giving them new identities and keeping their story out of history? It seems to us that the lesson to be learned from Adam is that ethnography can be amoral. It is rarely unethical, but it can (and perhaps should) take place in the absence of a rigidly defined moral structure.

Upon reconsidering the questions raised in the preceding sections, it is clear to us that many of these must remain unanswered at the present juncture since, in our own ethnographic project, we have not yet encountered the others, any other actual bodies, and do not yet know whether anonymity, consent or harm will be involved in our ethical mode of relating to them. This is not merely a situational or relativistic proposition which says that we will subscribe to the administered morality where it is suitable, but rather, it is one that says that we should cease to be preoccupied with such a code; it is restrictive and universally inapplicable; focusing instead upon the ways and means by which we engage with the others in the field, an ethics more indicative of practice.

Indeed, retrospecting further, the Deleuzian ethics which we have been considering can produce new offshoots/readings of some of the ethical quandaries in anthropology. Humphrey’s Tearoom Trade, for example, was immoral by the standards with we have defined but it was certainly not unethical. In the case of the becomings of Biehl and Locke, their research was unethical not immoral. Ethical conduct would have been learning to speak to Catarina in her own language; leaving her to her becomings; helping her understand her coding, her lines, the territories through which she has passed and is passing as well as the forces at work upon her desires and how these arose- not delivering her into further repression by trying to find the ‘true nature’ of her “rheumatism”. Such ethical conduct would not have merely been between Biehl and Catarina but between Biehl, Locke and Deleuze; an ethical mode of engaging with a body of literature, one that we hope to employ in our own research.

It would seem, therefore, that there is still much more growing to be done.

Bibliography

Adams, W. Y., 1998. The Philosophical Roots of Anthropology. Stanford, CA.: CSLI Publishings.

Agar, M. H., 1980. The Professional Stranger: An Informal Introduction to Ethnography. London: Academic Press Ltd. .

Biehl, J. & Locke, P., 2010. Deleuze and the Anthropology of Becoming. Current Anthropology, 51(3), pp. 317-351.

Bogue, R., 2007. Deleuze’s Way: Essays in Transverse Ethics and Aesthetics. Hampshire: Ashgate Publishing Limited.

Association of Social Anthropologists of the UK and Commonwealth, 1999. Ethical Guidelines for Good Research Practice. [Online] Available at: http://www.theasa.org/ethics/guidelines.shtml
[Accessed 29 December 2012].

Davidson, J. O., 2008. If no means no, does yes mean yes? Consenting to research intimacies. History of the Human Sciences, 21(4), pp. 49-67.

Deleuze, G., 1988. Spinoza: Practical Philosophy. San Francisco: City Lights Books.

Deleuze, G., 1997. Essays Critical and Clinical. Minnesota: The University of Minnesota Press.

Deleuze, G., 2001. Pure Immanence: Essays on A Life. New York: Zone Books.

Deleuze, G. & Felix, G., 2010. A Thousand Plateaus: Capatilism and Schozophrenia. London: Continuum.

Dolphijn, R., 2004. Foodscapes: Towards a Deleuzian Ethics of Consumption. Delft: Eburon.

Fine, G. A., 1993. Ten Lies of Ethnography: Moral Dilemmas of Field Research. Journal of Contemporary Ethnography, 22(3), pp. 267-294.

Haggerty, K. D., 2004. Ethics Creep: Governing Social Science Research in the Name of Ethics. Qualitatitive Sociology, 27(4), pp. 391-414.

Hammersley, M. & Atkinson, P., 2007. Ethnography: Principles in Practice. London: Routledge.

Hesse-Bieber, S. N. & Leavy, P., 2005. The Ethics of Social Research. In: The Practice of Qualitatitive Research. London: Sage Publications, pp. 83-116.

Humphreys, l., 1970. Tearoom Trade: A study of homosexual encounters in Public Places. London: Duckworth.

Jun, N. & Smith, D. W., 2011. Deleuze and Ethics. Edinburgh: Edinburgh University Press.

Murray, L., Pushor, D. & Renihan, P., 2012. Reflections on the Ethics-Approval Process. Qualitative Inquiry, 18(1), pp. 43-54.

Nietzsche, F., 1990. Twilight of the idols and The Anti-Christ. Harmondsworth : Penguin .

Nietzsche, F., 1996. On the Genealogy of Morals. Oxford: Oxford University Press.

Raymond, M., 2010. Being Ethnographic: A Guide to the Theory and Practice of Ethnography. London: Sage Publications.

Scheper-Hughes, N., 2000. Ire in Ireland. Ethnography, 1(1), pp. 117-140.

Smith, D. W., 2007. Deleuze and the Question of Desire: Toward an Immanent Theory of Ethics. Parrhesia, 2(1), pp. 66-78.

Stein, A., 2010. Sex, Truths, and Audiotape: Anonymity and the Ethics of Exposure in Public Ethnography. Journal of Contemporary Ethnography, 39(5), pp. 554-568.

van den Hoonaard, W. C., 2001. Is Research-Ethics Review a Moral Panic?. Canadian Review of Sociology, 38(1), pp. 19-36.

van den Hoonaard, W. C., 2003. Is Anonymity an Artifact in Ethnographic Research?. Journal of Academic Ethics, 1(1), pp. 141-151.

Wax, M. L., 1977. On Fieldworkers and those Exposed to Fieldwork. Human Organization, 36(1), pp. 400-407.

Zimbardo, P. G., 1973. On the ethics of intervention in human psychological research: With special reference to the Stanford Prison Experiment. Cognition, 2(1), pp. 243-256.

 

Thanks must go to Dr. Stef Jansen whose course on Issues in Ethnographic Research catalysed and nurtured this essay.

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Conceptual Explorations

Conceptual Explorations: The Anthropocene

I’ve recently been very taken with the work of Eduardo Viveiros de Castro. He is not only a keen reader of Gilles Deleuze but (and perhaps consequentially) shares my preoccupation with concepts.

Recently, in rewatching a seminar that he gave in 2013 at UC Davis I had cause to reflect upon his take on what has been termed the Anthropocene, the “intrusion of Gaia” by Isabelle Stengers or that era in which humanity exists as a geological force. While other Deleuze scholars have tried to theorize the Anthropocene, I find Viveiros de Castro’s work the most intriguing.

For Viveiros de Castro, the current era is not the only Anthropocene. What he terms “the first Anthropocene”, that period wherein, within Amazonian cosmologies, humans and animals were not distinct from each other, can teach us much about the present era wherein humanity exists as a “geological force”, notably because it is an epoch wherein the human impact upon the world was “positive” or in the least genetic of new forms of life. For those unfamiliar with Viveiros de Castro’s work on the various people’s of Amazonia, he describes a situation wherein “when the sky was still to close to the Earth, there was nothing in the world except people and tortoises” (Danowski and Viveiros de Castro, 2016, p.61), and through various misadventures and encounters these first people, transformed into the animals, plants etc. that we know today. Non-humans are ex-humans in Amerindian thought.

This has a number of interesting implications at least one of which is a rebuke of human exceptionalism. Following from both this understanding of the “first Anthropocene” and what he describes as  cosmological perspectivism (which we shall have to explore in another entry), we are forced to radically reconceptualize our relationship to “nature”. As Viveiros de Castro suggests of the Amerindians in a recent book The Ends of the World:

“They know that human action inevitably leaves and “ecological footprint” on the world. Differently to us, however, the ground on which they leave their footprints in equally alive and alert, often being the zealously guarded domain of some super-subject (the master spirit of the forest for example).” (Danowski and Viveiros de Castro, 2016, p.71)

Within this cosmology, the eschatological system also proves opposed to that which preoccupies the collective imaginary and popular media of Western civilization. Instead of civilization collapsing and catalysing a return of the animal and nature (cities overgrown with vegetation and whatever is left of the human race is left to eek out “bare” and “meagre” existences) animals etc. will revert to their human forms. Our imaginary of “the end of the world” thus reveals not a fear of annihilation but a loss of our “exceptional” status. Within Amerindian though, this status is already in question.

There is much here that I could continue to unpack, but for me, when we talk about generating a philosophy adequate to the contemporary era or about learning to die in the Anthropocene, Viveiros de Castro is one of the few authors offering something interesting.

(I would urge anyone to read the article Immanence and Fear, which represents Viveiros de Castro at his most readable and relatable)

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